It’s refreshing to get a little cup of porn with a double shot of condescending. And the final product is pretty. Even though IT’S NOT PORN. Don’t get hard or wet, because that would not be cool. Just look at the naked chicks and shrug. I’m just hoping this leads to hipster BDSM porn, where the white belt finally gets its day in the sun, if you know what I mean. Yesterday, the NYT licked Jacques like a $25 bacon-maple-vegan cupcake:
(…) Mr. Leder continued snapping Ms. Nola — raising her head, facing the sun, lifting a leg — until his camera suddenly stopped clicking. He looked at his 1965 Canon Pellix and spotted the problem. “I’ve got to get some film,” he said.
Film?
Mr. Leder is no ordinary pornographer. Along with his wife and editor, Danielle, the bearded, flannel-wearing Mr. Leder is the creator of Jacques, an upstart adult magazine in Brooklyn that reinterprets vintage Playboy in the age of 3-D porn and GPS hookups.
Joined by a small but influential roster of new pinup magazines — published in places like Amsterdam and the Lower East Side — Jacques is offering a self-conscious throwback to the magazines of the late 1960s and early 1970s, before the days of silicone implants, Photoshop and streaming HD video.
Begun in May 2009, Jacques dishes out nudity with a knowing wink that speaks to the kind of man who prefers his meat grass fed and his denim raw. The models are bigger, curvier and silicone free. The settings evoke a wistful vision of middle-class America — a playground in Chicago, a swimming pool in Villanova, Pa. The resulting images look more like vacation snapshots than studio portraits.
It’s a highly stylized aesthetic that evokes a bygone age of Polaroids and Kodak Instamatics. Mr. Leder shoots on 35-millimeter film, uses only existing light and never retouches or digitally manipulates a photo — blemishes and body fat be damned. “A lot of quote-unquote porn is just simply disgusting,” Mr. Leder said, offering his view of the adult entertainment industry. “It’s so cheap and so vulgar, it just turns everybody off.”
His cultural influences are mid-period Hugh Hefner and Norman Rockwell. (…read more, nytimes.com, via The Jailbreak, thanks mentisworks)